Comparison of karate styles

The four earliest Karate styles developed in Japan are Shotokan, Wado-ryu, Shito-ryu and Goju-ryu. [1] The first three styles find their origins in the Shuri region of Okinawa whilst Goju-ryu finds its origins in the Naha province.

The table below compares styles of many different styles of karate. Some of the distinguishing features are listed, such as lineage, general form of stances and number of kata. However, the differences attributed to "style" are often a reflection of the disposition and preference of the teaching instructor (i.e. there are softer and harder schools of each style, some schools focus little on kata while others emphasise it, some will add or remove certain kata, etc.).

Other factors, not reflected in the table, are the differences in philosophy. For example, Goju-ryu and its derivative or similar styles, would engage an opponent at a much closer distance than say Shotokan, Wado-ryu, Shito-ryu or other Shuri-te based styles. Other styles would employ more kicks or open-handed techniques. Some would focus on eliminating an opponent with a single devastating punch whilst others prefer to employ multiple techniques. In sparring, certain schools would allow kicks to the groin and others will prohibit attacks to the face. Some styles would advocate body evasion in the face of an attack whilst others would choose to stop a punch with an arm-breaking block. These differences are numerous and will vary from style to style, school to school, perhaps even instructor to instructor.

Contents

Comparison

Origin Derived from Hard/soft Stances Representative kata # of kata Weapons
Chitō-ryū Japan and Okinawa Shōrei-ryū, Shōrin-ryū 60 percent hard, 40 percent soft techniques deep (beginner), natural (advanced)
Gōjū-ryū Okinawa Chinese Nanpa Shorin-ken both deep/natural Sanchin, Tensho, Gekisai Dai, Seipai, Saifa 12
Gosoku-ryū Japan and USA Gōjū-ryū, Shotokan 50 percent hard, 50 percent soft techniques deep (beginner), natural (advanced) Gosoku, Rikyu, Denko Getsu, Tamashi 46 including weapons kata
Isshin-ryū Okinawa Gōjū-ryū, Shōrin-ryū, Kobudō both, primarily hard natural Sunsu 14
Kokondō Japan, Okinawa, & USA Kyokushin, Isshin-ryū, Jujutsu balanced hard & soft; balanced linear & circular deep (beginner), natural (advanced) Konsho, Konni, Konsan, Bassai, Henka 1-6, Kanku 40+, including weapons & kihon kata
Kyokushinkai Japan Shotokan, Gōjū-ryū hard, circular movements derived from gōjū, as you become more advance the style has softer techniques. natural 5 Pinan, Kanku, Tensho, Garyu 23 (+ ura)
Seidō juku USA Gōjū-ryū, Kyokushinkai both deep/natural Seido, Pinan 25 + Ura and Kobudō weapons
Shindō jinen-ryū Japan (and Okinawa) primarily Shuri-te like Shitō-ryū, but also Naha-te and Tomari-te both deep/natural Shimpa, Taisabaki 1-3, Sunakake no Kon More than 60 counting all kobudo kata See Shinken Taira, Ryukyu Kobudo
Shitō-ryū Japan and Okinawa Shōrin-ryū, Naha-te, Shotokan both deep/natural Pinan, Bassai Dai, Seienchin, Saifa, Rōhai, Nipaipo 43
Shōrin-ryū Okinawa Shuri-te, Tomari-te, Chinese martial arts both, primarily soft natural Pinan, Naihanchi, Fukyu 21
Shotokan Japan and Okinawa Shōrei-ryū, Shōrin-ryū Primarily hard techniques as well as soft techniques and some circular movements deep (beginner), natural (advanced) 5 Heian, Jion, Kanku Dai, Bassai Dai, Sochin etc. 26 + additional
Shuri-ryū USA Shuri-te, Hsing-yi both deep/natural Wunsu, O-Naihanchi, Sanchin 15
Uechi-ryū Okinawa Pangai-noon Kung Fu half hard, half soft mainly natural Sanchin, Seisan, Sanseirui 8
Wado-ryū Japan Yoshin-ryu Jujitsu and Shotokan both, primarily soft mainly natural Pinan, Kushanku, Seishan, Chintō 15 (one hidden)
Yōshūkai Japan and Okinawa Chitō-ryū 60 percent hard, 40 percent soft techniques deep (beginner), natural (advanced)
Ryūei-ryū Okinawa Fuzhou, China Naha Te natural Anan, Paiku, Heiku, Pachu, Ohan, Paiho, Niseishi about 16

See also

References

  1. ^ Corcoran, John and Farkas, Emil. Martial Arts. Traditions, History, People. Gallery Books, 1983, p. 49.

Sources

Karate-do Kyohan, written by Gichin Funakoshi translated by Tsutomu Oshima

External links